I Want to Believe Art by Cai Guo Qiang
Cai Guo-Qiang: I Want to Believe
March 17–September 20, 2009
Guggenheim Museum Bilbao
Curated by Thomas Krens and Alexandra Munroe
Inopportune: Stage I , 2004. Nine cars and sequenced multichannel calorie-free tubes. Dimensions variable.
Installation view of exhibition re-create at Guggenheim Museum Bilbao, 2009. Photo past I-Hua Lee, courtesy Cai Studio.
Drawing for Inopportune: Phase One at the Guggenheim Bilbao
2009
Gunpowder on paper
97 ten 252 cm
Photo past I-Hua Lee, courtesy Cai Studio.
Bilbao's Hire Collection Courtyard , 2009. Realized at the Guggenheim Bilbao. 73 life-sized sculptures created on site by four guest artisan sculptors, dirt, wire and forest armature, and other props and tools for sculpture, spinning night lamps, facsimile photocopies of documents and photographs related to the Rent Collection Courtyard (dated 1965). Life-sized sculptures. [Artwork Not Extant]
Installasion view at Guggenheim Museum Bilbao, 2009. Photo by I-Hua Lee, courtesy Cai Studio.
Exhibition view at Guggenheim Museum Bilbao, 2009. Photo by I-Hua Lee, courtesy Cai Studio.
Bigfoot'due south Footprints: Projection for Extraterrestrials No. 6
1990
Gunpowder and ink on newspaper, mounted on wood as eight-panel folding screen
200 ten 680 cm overall
Photo by André Morin, courtesy Fondation Cartier pour 50'fine art contemporain.
Rebuilding the Berlin Wall: Project for Extraterrestrials No. 7
1991
Gunpowder and ink on paper, mounted on wood as seven-panel folding screen
200 x 595 cm overall
Private collection
Photograph by André Morin, courtesy Fondation Cartier cascade l'art contemporain.
A Sure Lunar Eclipse: Project for Humankind No. 2
1991
Gunpowder and ink on paper, mounted on wood equally 7-panel folding screen
200 x 595 cm overall
Guggenheim Abu Dhabi
Photo by André Morin, courtesy Fondation Cartier cascade l'fine art contemporain.
Inverted Pyramid on the Moon: Projection for Humankind No. 3
1991
Gunpowder and ink on paper, mounted on wood every bit eight-console folding screen
200 x 680 cm overall
Photo by André Morin, courtesy Fondation Cartier pour fifty'art contemporain.
The Vague Edge at the Border of Time/Space Project
1991
Gunpowder on paper, mounted on wood every bit seven-panel folding screen
200 ten 595 cm overall
Fondation Cartier cascade l'fine art contemporain
Photograph by André Morin, courtesy Fondation Cartier pour l'art contemporain.
Reviving the Ancient Point Towers: Project for Extraterrestrials No. 8
1990
Gunpowder and ink on newspaper, mounted on wood as viii-panel folding screen
200 x 680 cm overall
Museum of Contemporary Art, Tokyo
Photo by André Morin, courtesy Fondation Cartier pour l'art contemporain.
The Immensity of Sky and World: Project for Extraterrestrials No. xi
1991
Gunpowder on paper, mounted on canvas; refrigerator containing soil and ice made out of seawater
Dimensions variable. Gunpowder cartoon 200 x 600 cm
Fukuoka Asian Art Museum
Installation view at Fukuoka Asian Art Museum, 2012.
Courtesy Fukuoka Asian Art Museum.
The Immensity of Heaven and Earth: Project for Extraterrestrials No. 11
1991
Gunpowder and ink on paper, 24-page folding album
33.five x 320 cm opened
Private collection
Installation view at the Solomon R. Guggenheim Museum, New York, 2008.
Photograph by Hiro Ihara, courtesy Cai Studio
Fetus Movement II: Project for Extraterrestrials No. ix
1990
Gunpowder and ink on paper, mounted on wood as viii-panel folding screen
200 ten 680 cm overall
Museum of Contemporary Art, Tokyo
Photo past André Morin, courtesy Fondation Cartier cascade l'art contemporain.
Seismogram, Electroencephalogram, and Electrocardiogram from Fetus Movement 2: Project for Extraterrestrials No. nine
1992
Silkscreen and metal marker on paper
56 ten 76 cm
Express edition
Photo courtesy Cai Studio.
Fetus Movement II: Project for Extraterrestrials No. ix (gunpowder bag)
1992
Recycled plastic purse originally used to hold gunpowder for the explosion issue with original gunpowder label and photograph decals
35 x 23.6 cm
Uneditioned multiple
Collection of the artist
Photo courtesy Cai Studio.
Drawing for Fetus Movement 2: Project for Extraterrestrials No. 9
1992
Marker pen and ink on paper
48.5 x 66 cm
Photograph by Daxin Wu, courtesy Cai Studio.
Drawing for Fetus Movement II: Projection for Extraterrestrials No. 9
1992
Ink on paper
48.5 10 66.five cm
Photo past Daxin Wu, courtesy Cai Studio.
Cartoon for Fetus Movement II: Project for Extraterrestrials No. 9
1992
Gunpowder, ink, and pen on paper envelope
26.5 x 42 cm
Photo courtesy Cai Studio.
Drawing for Fetus Move Ii: Project for Extraterrestrials No. 9
1992
Gunpowder and ink on paper
66.v x 48.5 cm with mounting: 70.3 x 51.9 cm
Photo by Daxin Wu, courtesy Cai Studio.
Crater
1990
Gunpowder on papier-mâché
56 x 67 x 2.5 cm
Installation view at the Solomon R. Guggenheim Museum, New York, 2008.
Photo past Hiro Ihara, courtesy Cai Studio
Installasion view at Guggenheim Museum Bilbao, 2009. Photo by I-Hua Lee, courtesy Cai Studio.
Extension
1994
Gunpowder on paper, mounted on wood as 12-panel folding screen
240 x 1564.8 cm overall
Setagaya Art Museum
Photo by Masanobu Moriyama, courtesy Cai Studio.
Cocky-Portrait: A Subjugated Soul
1985/89
Gunpowder and oil on canvas
167 x 118 cm
Collection of Leo Shih
Photograph courtesy Cai Studio
Project to Extend the Great Wall of China past 10,000 Meters: Project for Extraterrestrials No. x
1994
9 minutes 29 seconds, loop
Three-channel video installation with documentation of explosion event
Videography by Araki Takahisa
Explosion consequence realized at the Gobi desert, west of the Swell Wall, Jiayuguan, Gansu Province, Feb 27, 1993, 7:35 p.m., 15 minutes
Dimensions variable, approximately 41 x 160 cm
Photograph courtesy Cai Studio.
9 Cars
2004
Gunpowder on newspaper
400 x 600 cm
Private collection
Installasion view at Guggenheim Museum Bilbao, 2009. Photo past I-Hua Lee, courtesy Cai Studio.
Drawing for The Century with Mushroom Clouds: Project for the 20th Century
1995–96
Gunpowder, ink, and dried lingzhi mushroom on paper, 20-page folding album
Lingzhi mushroom: Approximately 16 ten 10 x nine cm irregular dimensions
Solomon. R. Guggenheim Museum
Photograph, courtesy Cai Studio.
Ascending Dragon: Project for Extraterrestrials No. two
1989
Gunpowder and ink on paper
240 10 300 cm
Private collection
Photograph courtesy Cai Studio.
I Am an Extraterrestrial, Project for Meeting with Tenjin (Heavenly Gods): Project for Extraterrestrials No. 4
1990
Gunpowder and ink on paper mounted on canvas
227.iv x 182 cm
Collection of Fukuoka Asian Art Museum
Chu Ba Wang
1985
Gunpowder, oil, and ink on canvas
155 x 150 cm
Photograph courtesy Cai Studio.
Typhoon
1985
Oil on canvass
78 ten 100 cm
Photo courtesy Cai Studio.
Shadow: Pray for Protection
1985–86
Gunpowder, ink, candle wax, and oil on canvas, mounted on wood
155 10 300 cm
Photo courtesy Cai Studio.
Installation view at Guggenheim Museum Bilbao, 2009. Photograph by I-Hua Lee, courtesy Cai Studio.
Drawing for Footprints of History
2008
Gunpowder on paper (11 sheets)
4 ten 33 m
Photo by Hiro Ihara, courtesy Cai Studio.
Footprints of History: Fireworks Project for the Opening Anniversary of the 2008 Beijing Olympic Games [Photographic Documentation]
2008
Digital photograph print (photography by Hiro Ihara)
102 x 148.5 cm
Photo past Hiro Ihara, courtesy Cai Studio.
Installation view at Guggenheim Museum Bilbao, 2009. ©FMGB Guggenheim Bilbao Museoa, 2009. Photo: Erika Barahona-Ede.
Head On
2006
Deutsche Guggenheim, Berlin
99 life-sized replicas of wolves and drinking glass wall. Wolves: gauze, resin, and hide
Dimensions variable
Deputed by Deutsche Banking company AG
Deutsche Bank Collection
Installation view at Guggenheim Museum Bilbao, 2009.
©FMGB Guggenheim Bilbao Museoa, 2009. Photo: Erika Barahona-Ede.
Illusion II
2006
9 minutes and ii seconds, loop
2-aqueduct video installation
Installation dimensions variable
Edition of 5. Deutsche Depository financial institution Collection (one/5) and Collection of the Artist
Installation view of exhibition copy at the the National Art Museum of Prc, Beijing, 2008.
Photo by Hiro Ihara, courtesy Cai Studio.
Reflection—A Gift from Iwaki , 2004. Excavated wooden boat and porcelain. Installation dimensions variable. Boat: 500 10 500 x 1500 cm. Private Collection.
Installation view at Guggenheim Museum Bilbao, 2009. Photograph past I-Hua Lee, courtesy Cai Studio.
The Age of Not Believing in God
1999
Commencement realized at Museum Ludwig Köln (1999)
Other venues: Southward.M.A.Grand. Museum of Contemporary Art, Gent (2003), Guggenheim Musuem Bilbao (2009)
Wooden sculptures, arrows: bronze heads, bamboo and feather shaft
Installation dimensions variable
Sculptures: tiptop: 80 to 130 cm ea.
Museum Ludwig Köln
Installation view at Guggenheim Museum Bilbao, 2009.
Photo by I-Hua Lee, courtesy Cai Studio.
Black Peony
2008
Gunpowder on porcelain
66.83 10 37.31 ten five.72 cm
Edition size: 20 (1/20 to xx/20), proofs: iii AP (AP-i to AP-iii), 1 Prototype
Individually signed and numbered by the creative person
Drove of the artist, various private collections
Edition 15/20, 2008.
Photo by I-Hua Lee, courtesy Cai Studio.
Danger Book: Suicide Fireworks (Exploded Artist Proof)
2008
Gunpowder, rice paste, and matches on newspaper
75 x 102.8 x two cm opened. 75 10 51.4 x 2 cm airtight
Exploded Creative person Proof. Edition size: ix unique books, proofs: 2 AP (1 exploded, 1 unexploded), one Prototype. Individually titled and signed by the creative person. Edition deputed past Ivory Printing, 2008.
Installation view at Guggenheim Museum Bilbao, 2009.
Photo past I-Hua Lee, courtesy Cai Studio.
Danger Book: Suicide Fireworks (Unexploded Artist Proof)
2008
Gunpowder, rice paste, and matches on paper
75 x 102.8 x 2 cm opened
Unexploded Artist Proof. Edition size: 9 unique books, proofs: two AP (1 exploded, i unexploded), ane Prototype. Individually titled and signed past the artist. Edition commissioned by Ivory Press, 2008.
Installation view at Guggenheim Museum Bilbao, 2009.
Photo by I-Hua Lee, courtesy Cai Studio.
Illusion
2004
Three-channel video installation (one minute and 37 seconds, loop, videography by John Borst, edited by Lauren Niggling), auto, and spent fireworks
Dimensions variable upon installation. Approximately 150 cm
Seattle Fine art Museum
Installation view at MASS MoCA, North Adams, 2005.
Photo by Hiro Ihara, courtesy Cai Studio.
The Century with Mushroom Clouds: Project for the 20th Century (video documentation)
2008 (1996)
one infinitesimal 47 seconds, loop
Videography by Araki Takahisa, edited by Paul Kuranko
Featured in this video compilation: Nevada Test Site, Feb 13; Michael Heizer'south Double Negative (1969–70), Mormon Mesa, Overton, Nevada, February xiv; Looking toward Manhattan, April 20-21, 1996
Photo courtesy Cai Studio.
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Source: https://caiguoqiang.com/projects/projects-2009/i-want-to-believe-bilbao/
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